Special Topics | Nineteenth-Century Serials Edition

Illustrations

Baker, Charles, ed., Bibliography of British Book Illustrators, 1860–1900 (Birmingham: Birmingham Book Shop, 1978).

Banta, Martha, Barbaric Intercourse: Caricature and the Culture of Conduct, 1841–1936 (Chicago: Chicago University Press, 2003).

Beegan, Gerry, The Mass Image: A Social History of Photomechanical Reproduction in Victorian London (Basingstoke: Palgrave Macmillan, 2008).

Brake, Laurel, and Marysa Demoor, The Lure of Illustration in the Nineteenth Century: Picture and Press (Basingstoke: Palgrave Macmillan, 2009).

Bryant, Mark, and Simon Heneage, Dictionary of British Cartoonists and Caricaturists, 1730–1980 (Aldershot: Scolar Press, 1994).

Calè, Luisa, and Patrizia Di Bello, ‘Introduction: Verbal and Visual Interactions in Nineteenth-Century Print Culture’, Special Issue: ‘Verbal and Visual Interactions in Nineteenth-Century Print Culture’, ed. by Luisa Calè and Patrizia Di Bello, 19: Interdisciplinary Studies in the Long Nineteenth Century, vol. 5 (2007), p. none. <http://doi.org/10.16995/ntn.460>.

Cayley, Seth, and Clare Horrocks, ‘The Punch Historical Archive, 1841–1992: A Sustainable Brand for the Digital Age’, Special Issue: ‘Digital Pedagogies’, Victorian Periodicals Review, vol. 48, no. 2 (Summer 2015), pp. 238–43.

Charnon-Deutsch, Lou, Visual Culture in the Late-Nineteenth-Century Spanish Periodical (University Park: Pennsylvania State University Press, 2008).

Cooke, Simon, Illustrated Periodicals of the 1860s: Contexts and Collaborations (London, Pinner, and New Castle: British Library, Private Libraries Association, and Oak Knoll Press, 2010).

Engen, Rodney K., Dictionary of Victorian Engravers, Print Publishers and their Works (London: Chadwyck-Healey, 1978).

Engen, Rodney K., Dictionary of Victorian Wood Engravers (London: Chadwyck-Healey, 1985).

Fyfe, Paul, ‘A Great Exhibition of Printing: The Illustrated London News Supplement Sheet (1851)’, Special Issue: ‘Object Lessons: The Victorian and the Material Text’, Cahiers Victoriens et Édouardiens, vol. 84 (Autumn 2016), p. none. <https://journals.openedition.org/cve/2928> [Accessed 6 September 2018].

Fyfe, Paul, ‘Illustrating the Accident: Railways and the Catastrophic Picturesque in the Illustrated London News,’ Victorian Periodicals Review, vol. 46, no. 1 (Spring 2013), pp. 61–91.

Fyfe, Paul, ‘Image Analytics and the Nineteenth-Century Illustrated Newspaper’, Journal of Cultural Analytics [accepted 2018; forthcoming].

Golden, Catherine J., Serials to Graphic Novels: The Evolution of the Victorian Illustrated Book (Gainesville: University Press of Florida, 2017).

Goldman, Paul, Victorian Illustrated Books 1850–1870 (London: British Museum, 1994).

Goldman, Paul, Victorian Illustration (Aldershot: Scolar, 1996).

Goldman, Paul, and Simon Cooke, eds., Reading Victorian Illustration, 1855–1875: Spoils of the Lumber Room (Abingdon: Routledge, 2012).

Goldman, Paul, and David Skilton, ‘Trollope and Illustration’, in The Routledge Companion to Anthony Trollope, ed. by Deborah Denenholz Morse, Margaret Markwick, and Mark W. Turner (Abingdon: Routledge, 2017), pp. 213–38.

Gretton, Tom, ‘From La Meduse to the Titanic: Géricault’s Raft in Journalistic Illustration up to 1912’, Special Issue: ‘W. T. Stead: Newspaper Revolutionary’, 19: Interdisciplinary Studies in the Long Nineteenth Century, vol. 16 (2013), p. none. <http://doi.org/10.16995/ntn.661>.

Gretton, Thomas, ‘Not the Flâneur Again: Reading Magazines and Living the Metropolis Around 1880’, in The Invisible Flâneuse? Gender, Public Space, and Visual Culture in Nineteenth-Century Paris, ed. by Aruna D’Souza and Tom McDonagh (Manchester, Manchester University Press, 2006), pp. 94–112.

Gretton, Thomas, ‘The Pragmatics of Page Design in Nineteenth-Century General-Interest Weekly Illustrated News Magazines in London and Paris’, Art History, vol. 33, no. 4 (September 2010), pp. 680–709.

Gretton, Thomas, ‘Richard Caton Woodville (1856–1927) at the Illustrated London News’, Victorian Periodicals Review, vol. 48, no. 1 (2015), pp. 87–120.

Gretton, Thomas, ‘Signs for Labour-Value in Printed Pictures after the Photomechanical Revolution: Mainstream Changes and Extreme Cases Around 1900’, Oxford Art Journal, vol. 28, no. 3 (2005), pp. 373–90.

Gretton, Thomas, ‘Le statut subalterne de la photographie. Étude de la présentation des images dans les hebdomadaires illustrés (Londres, Paris, 1885–1910)’, Etudes photographiques, vol. 20 (2007), pp. 34–49.

Harder, Hans, and Barbara Mittler, eds., Asian Punches: A Transcultural Affair (Heidelberg: Springer, 2013). See particularly: Brian Maidment, ‘The Presence of Punch in the Nineteenth Century’, pp. 13–44.

Haywood, Ian, Romanticism and Caricature (Cambridge: Cambridge University Press, 2013).

Haywood, Ian, Susan Matthews, and Mary Shannon, eds., Romanticism and Illustration (Cambridge: Cambridge University Press, 2019 [forthcoming]).

Horrocks, Clare, Brian Maidment, and Valerie Stevenson, Punch Re-Rooted: Comedy and the Periodical Press, 1820–1850 (Liverpool: Liverpool John Moores University, 2013).

Houfe, Simon, Dictionary of British Book Illustrators and Caricaturists, 1800–1914 (1978; Woodbridge: Antique Collectors’ Club, 1996).

Hughes, Linda K., ‘Doubling Enticements to Buy: John Millais and Illustrated Poetry in Once a Week’, Journal of Pre-Raphaelite Studies, vol. 19 (Fall 2010), pp. 4–22.

Hughes, Linda K., ‘Inventing Poetry and Pictorialism in Once a Week: A Magazine of Visual Effects’, Special Issue: ‘Victorian Poetry and the Book Arts’, ed. by Lorraine Janzen Kooistra, Victorian Poetry, vol. 48, no. 1 (Spring 2010), pp. 41–72.

Kooistra, Lorraine Janzen, ‘Charting Rocks in the Golden Stream: Or, Why Textual Ornaments Matter to Victorian Periodicals Studies’, Victorian Periodicals Review, vol. 49, no. 3 (Fall 2016), pp. 375–95.

Kooistra, Lorraine Janzen, ‘“Making Poetry” in Good Words: Why Illustration Matters to Periodical Poetry Studies’, Victorian Poetry, vol. 52, no. 1 (2014), pp. 111–39.

Kooistra, Lorraine Janzen, ‘A Modern Illustrated Magazine: The Yellow Book’s Poetics of Format’, in Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures, ed. by Luisa Calè and Patrizia di Bello (Basingstoke: Palgrave Macmillan, 2010), pp. 128–46.

Korda, Andrea, Printing and Painting the News in Victorian London: The Graphic and Social Realism, 1869–1891 (Farnham: Ashgate, 2015).

Leverenz, Molly Knox, ‘Illustrating The Moonstone in America: Harper’s Weekly and Transatlantic Introspection’, American Periodicals: A Journal of History & Criticism, vol. 24, no. 1 (2014), pp. 21–44.

Lister, Raymond, Prints and Printmaking: A Dictionary and Handbook of the Art in Nineteenth-Century Britain (London: Methuen, 1994).

Maidment, Brian, Comedy, Caricature, and the Social Order, 1820–50 (Manchester: Manchester University Press, 2013).

Maidment, Brian, ‘Dinners or Desserts? Miscellaneity, Illustration, and the Periodical Press 1820–1840’, Victorian Periodicals Review, vol. 43, no. 4 (Winter 2010), pp. 353–87.

Maidment, Brian, ‘A Draft List of Published Book and Periodical Contributions by Robert Seymour’, NINES, <http://www.nines.org/exhibits/Robert_Seymour> [Accessed 13 September 2018].

Maidment, Brian, ‘The Draughtsman’s Contacts: Robert Seymour and the Humorous Periodical Press in the 1830s’, Journal of European Periodical Studies, vol. 1, no. 1 (2016), pp. 37–52. <https://doi.org/10.21825/jeps.v1i1.2576>.

Maidment, Brain, ‘The Explicated Image — Graphic ‘Texts’ in Early Victorian Print Culture’, in Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts, ed. by Anna Maria Jones and Rebecca N. Mitchell (Athens, OH: Ohio State University Press, 2017), pp. 39–66.

Maidment, Brian, ‘The Gallery of Comicalities: Graphic Humour, Wood-Engraving, and the Development of the Comic Magazine, 1820–1841’, Victorian Periodicals Review, vol. 50, no. 1 (Spring 2017), pp. 214–27.

Maidment, Brian, ‘Graphic Bric a Brac — Comic Illustration between 1820 and 1850 as a Source for Historians, Keywords, vol. 8 (2010), pp. 76–93.

Maidment, Brian, ‘Henry Heath’s The Caricaturist’s Scrap Book’, Victorian Review, vol. 38, no. 2 (Fall 2012), pp. 13–18.

Maidment, Brian, ‘“Larks in Season”: The Comic Almanack, 1835–1854’, Special Issue: ‘Object Lessons: The Victorians and the Material Text’, Cahiers Victoriens et Édouardiens, vol. 84 (Autumn 2016), p. none. <https://journals.openedition.org/cve/2881> [Accessed 11 September 2018].

Maidment, Brian, ‘The “March of Intellect” and Graphic Satire 1820–1840’, Shaping Belief: Culture, Politics, and Religion in Nineteenth-Century Writing, ed. by Victor Morgan and Clare Williams (Liverpool: Liverpool University Press, 2008), pp. 149–71.

Maidment, Brian, Reading Popular Prints, 1790–1870 (Manchester: University of Manchester Press, 1996).

Maidment, Brian, ‘Representing the Victorians — Illustration and the Illustrated London News’, The Illustrated News Historical Archive, 1842–2003, Gale Cengage (2010).

Maidment, Brian, ‘The Satirical Image. Politics and Periodicals 1820–1837’, in Loyal Subversion? Caricatures from the Personal Union between England and Hanover (1714–1837), ed. by Anorthe Kremers and Elisabeth Reich (Göttingen: Vandenhoeck and Ruprecht, 2014), pp. 163–82.

Maidment, Brian, ‘Scraps and Sketches: Miscellaneity, Commodity Culture and Comic Prints, 1820–40’, Special Issue: ‘Verbal and Visual Interactions in Nineteenth-Century Print Culture’, ed. by Luisa Calè and Patrizia Di Bello, 19: Interdisciplinary Studies in the Long Nineteenth Century, vol. 5 (2007), p. none. <http://doi.org/10.16995/ntn.462>.

Maidment, Brian, ‘Subversive Supplements: Satirical Title Pages of the Periodical Press in the 1830s’, Victorian Periodicals Review, vol. 43, no 2 (Summer 2010), pp. 133–48.

Mainardi, Patricia, Another World: Nineteenth-Century Illustrated Print Culture (New Haven: Yale University Press, 2017).

Maxwell, Richard, ed., Victorian Illustrated Books (Charlottesville: University of Virginia, 2002).

Mckechnie, Sue, Briitsh Silhouette Artists and their Work, 1760–1860 (London: Sotheby Park Bernet, 1978).

Muir, Percy, Victorian Illustrated Books (London: B.T. Batford, 1971).

Pritchard, Michael, A Directory of London Photographers 1848–1908 (1986; London: British Library, 1994).

Ross, Shawna, ‘Ocean-Liner Cutaways, Diagrams, and Composites: Technical Illustration as Mass Aesthetic in Popular Mechanics and The Illustrated London News’, The Journal of Modern Periodical Studies, vol. 8, no. 1 (2017), pp. 1–33.

Skilton, David, ‘Illustration Studies and the Infinite Archive’, Journal of Illustration Studies, vol. 2 (December 2013), p. none. <http://jois.uia.no/articles.php?article=50> [accessed 27 September 2018].

Skilton, David, ‘The Centrality of Literary Illustration in Victorian Visual Culture: the Example of Millais and Trollope from 1860 to 1864’, Journal of Illustration Studies, vol. 1 (December 2007), p. none. <http://jois.uia.no/articles.php?article=30> [accessed 27 September 2018].

Stead, Evanghelia, ‘The Economics of Illustration: The Revue Illustrée in the 1890s’, Journal of European Periodical Studies, vol. 1, no. 2 (Winter 2016), pp. 65–85. <https://doi.org/10.21825/jeps.v1i2.2650>.

Thomas, Julia, Nineteenth-Century Illustration and the Digital: Studies in Word and Image (Basingstoke: Palgrave Macmillan, 2017).

Thomas, Julia, ‘Reflections on Illustration: the Database of Mid-Victorian Wood-Engraved Illustration (DMVI)’, Journal of Illustration Studies, vol. 1 (December 2007), p. none. <http://jois.uia.no/articles.php?article=37> [accessed 27 September 2018].

Twynham, Michael, ‘The Illustration Revolution’, in The Cambridge History of the Book in Britain 1830–1914, vol. 6, ed. by David McKitterick (Cambridge: Cambridge University Press, 2009), pp. 117–43.

Van Remoortel, Marianne, ‘Women Editors and the Rise of the Illustrated Fashion Press in the Nineteenth Century’, Nineteenth-Century Contexts, vol. 39, no. 4 (2017), pp. 269–95.

Von Lintel, Amy M., ‘Wood Engravings. The “Marvellous Spread of Illustrated Publications”, and the History of Art’, Modernism/Modernity, vol. 19, no. 3 (September 2012), pp. 515–42.

Williams, Andreá N., ‘Cultivating Black Visuality: The Controversy Over Cartoons in the Indianapolis Freeman’, Special Issue: ‘Black Periodical Studies’, American Periodicals: A Journal of History & Criticism, vol. 25, no. 2 (2015), pp. 124–138.

Zackodnik, Teresa, ‘Memory, Illustration, and Black Periodicals: Recasting the Disappearing Act of the Fugitive Slave in the ‘New Negro’ Woman’, American Periodicals: A Journal of History & Criticism, vol. 25, no. 2 (2015), pp. 139–159.

Advertising and Trade

Atkins, P. J., The Directories of London 1677–1977 (London: Mansell, 1990).

Emery, Elizabeth, ‘Viral Marketing: Mariani Wine Testimonials in Early French and American Newspaper Advertising’, Nineteenth-Century Contexts, vol. 39, no. 2 (2017), pp. 117–29.

Freshwater, G. J., and Alfred Bastin, Peterson’s Dictionary of Advertising and Printing: a Complete Work of Reference to the Advertising and Printing Arts (London: New Era, 1930).

Hedley, Alison, ‘Advertisements, Hyper-Reading, and Fin de Siècle Consumer Culture in the Illustrated London News and the Graphic’, Victorian Periodicals Review, vol. 51, no. 1 (Spring 2018), pp. 138–67.

King, Andrew, ‘Advertising in the ILN’, ‘The Illustrated London News Historical Archive, 1842–2003’, Gale Cengage (2011).

King, Edmund, Victorian Decorated Trade Bindings, 1830–1880: a Descriptive Bibliography (London: British Library, 2003).

Mason, Nicholas, Literary Advertising and the Shaping of British Romanticism (Baltimore: Johns Hopkins University Press, 2013).

Packer, Maurice, Bookbinders of Victorian London (London: British Library, 1991).

Shaw, Gareth, and Allison Tipper, British Directories: A Bibliography and Guide to Directories Published in England and Wales (1850–1950) and Scotland (1773–1950) (Leicester: Leicester University Press, 1988).

Strachan, John, and Claire Nally, Advertising, Literature and Print Culture in Ireland, 1891–1922 (Basingstoke: Palgrave Macmillan, 2012).

Védrine, Hélène, ‘Advertisements in French and Belgian “Little Reviews”, 1980–1930: Visual Techniques and Design’, Journal of European Periodical Studies, vol. 1, no. 2 (Winter 2016), pp. 87–112. <https://doi.org/10.21825/jeps.v1i2.2648>.