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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Transcript
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
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Stortr ^ i ^ tf a fteetf f & M % & Wot , ia ; haVo placed , » patron ¦ ss «* ffife « sgsaK « sKgfg fe ^^^^ S ^^ T ^ 3 rtsete ^ oul ^ rBe . -thoro ^ d y appreciate * , were it not excluded by their i ^ SS ^ 'J ^^ W mi f * ™* ^ ilfiiH ^ eatery - % ; supreme Ikffi & & tf && m W we ^ yi o ^ n ran a W lias ! added suck notes ,, cnttcal , ^ aSol ^^ ago ^ ould * ot ( ouly have , found , i ^ xeaders io the ft ^ as 3 e »^ asfc >*^ d ^ w 6 uld > 4 mve found a-band ^ . of ardent proselytes hi m cr ^ J ^ ^ ra ^ a ^/ w ^ were tneh ^ ing ; their ^ to revive ^ SBEBBH 3 !^^ SSS & ^ bf & ikJA ^^ Jo ^ ^^^ w ^ eveT * -6 n €# f c ^ ^ iakin ^ W ^ thfo ^ S ^^ ii » f ^ ^ Sli 5 to ^ S ^ i ^ ra * e ^ henv i » public , they ^ ere united ,,, The , Unacted ; DdS ^^ fo ^^ ^ halabK ^ k Hafe « x ; dre * d « dby mMingers who wo ^ ld p ^ r ^ fe ^^ oi ^^ ES i , * erer issued- ^ andJ Mr . Moxo ^ lventurod-on . cheaii edrtiohs of tt * t < rfcetpal « Wifee ^ I bii » altta l -ftm nd no p « bli 6 for ; SUnh > 1 itentor 6 f < ami in a-Ve ^ M & f ti ^ W ^ cb ^ h ^ d'Wo ^^ . ^ « W ' fWSwSf &¦ % * fe « f ^ ' * hc ^ des . ag . unst , p ^^^^ SxrtE ^ » 1 H fio » SokUIi 0 ui « U lves . A « a varwd oiuvdith y , wrfnbs . Jd &^ i « ae ; idid wift muek > « fF « fek < th ® publi ^ vAn occasional five-aot i ^/ wa ^>< ft ^«^* JW ^ me <^ wdiaea > 'fearth ^ eri wrifch' bHUinnt 'ttiece * j * -for Spi ' WfeoS ! ece ' wn 1 bi We ^ eU Ii ^' 1 . arty rb ^ Wvblitnc ? to th ^ Old ; tA & rf & ftascproBS pfcoxiu « L ^ h vofi JMartinji ^ rand . ruined himself thereby * , tfieieiiiflb rftfiowwfe wafcg ivemy . ^ F # onvh 4 ivingjbeen- ' ftti' imposing minority the JpkatH ^ S « eeme ^ w 44 dfculfcjuklWrriprWy . »;»' rHeV 'di ^ eaVtifl . " ^ r « «* i « ei , ; ^ SS r ^ haw . bofln review ^ , i ., every , possible jnnrnft ^ l & iit / rioTr cmHnidbtlikeiy . ibepassedDver in Bile ! nc ; e , and loft n \ silence lr o ) flnd'ito'W . iyJW »»<» l * elrk'ft » - ' - » - ' - ) lj : ; lt '" , ; " '/ : / '" . ' '"; ' ' , ' , ' " , ¦ , ; A ) i . -iM 'iAli . ¦ i -Auu-. UioJL — r ?<\ -rr w ¦¦ , ¦¦ ' ' " ¦ ' ¦ ' ¦ ¦ ¦¦ ,
Notjupg I Ftmp^ S^^.^^ ^W K-Iniiking W 9...
NotJupg i ftmP ^ S ^^ . ^^ ^ W k-iniiking w rld than : tl ^ tGernians fltc tbi yw ^ IB % , wett ^ . t ^ pry WPrs *; i » lAkw o / f , bpoks , ; they haycniore , cjtwikcienUoufl ^ eai jartd / irtboqr , fo .. bestojv on any subjoot , if they have loss mwctteafsense ofth « vnedd » of » pnblic : > A hkH Germanbook is terrible ; a iwW- bddk- ' »* tertain W b ^ Vety gortd : J . B / ^ Vfen'liUsjiist pi ^ lbh 6 d * MhTon AuisVot ' tE ; cb risiderin ^; him ; ns , a * bdlo ^ t ( 4 ^^ ^ r £ w «/«) ^( uch is one of ^ ho . s , q parent c ^ austivc books met with only in German Ifterntwev In U be estabUshep whafcfwaa the nctuul knowledge of A 1 I 18 U 071 . E - ^ hflt' « nimftls 4 knd Masses he * new from notual inspection and' what from hbtkkuy r ho nlso examines * he questions of Akis ' totLr ' 8 Method and Classification , everywhere comparing the results of modern ecience with tho etotoments and opinions of the Greek ; and , in short , has , in tho space of five
Ibu ^ colum ^ ; but tkere ; am < several . of oUrueaaerS ; who . may , be thankful lor this JhdJoatiott df its ^ xistencev - » ' «¦* " . 'I '"" » ' <; ^ ;; . ; ' . t " . ' . i C" ] ^ r \\\ : \
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'¦ - , '" ¦ " ¦ )> [¦¦• .-u ¦ ¦ ¦ >• 7 J < -r-i . » -rz-if ... 'l- ' . iiU r- 'ur - i : ; ' •'•; . " . I ' ' : ¦ •• " ¦ - •" Samt-tf * r <* J & irordb ) . I Tonw trowfem * . > :, ¦ -. " ,., f > vuwpwiur M . Saint-Makc Gibabmn is a writer who * ^ ** $ ^ Jtf ^ ffi £ his volumes , but wait for ' tUoml The xeasonof this , hbTthe cose ot tue at the Sorbonne , so that the volumes can only * appear' after their contents Ua . vebeeidetve ^ ed ih » winged words , " . Tk-e » fi « tvolume w ^ pt » bli 6 hedin HB &^ d & a ^ a ^^ ¦ . & VeW ^ o ? ^ i «»! feto ^ M We liMl . ttt ^ noa . fihBrtity and largo-SSsfeft !^ Sff ^ £ ^? - ? i widely Cm * tei ancient m « wr . conception , * nd . P ^ f'f ^ l jjj * 1 ^ , Sely , ChrWaniiy , chivalry * ^^ V ^^^ S ^ modS Lathepresent volume he pursues the , s « bji 8 ct- « f . J-oye » i * xl . t * a . cc 8 , 1 * w moui ficatioS the sixteenth , and seventeenth , cepfeuvy * by analysing , or ratlei Stffilly sketching . the three typieal : romance * . TbQ . AvwUs , which i * Knu chivarro ^ s ^ vein its mbre ^ ftened and effemmHto tage ; the ^ w SScfai iteiles Platonic > vith chi Y a } ro « s love , under , the name of pastoral lave ; and fhe Ctfta .-whio * Is the ^ code of Ja gtlautoriehwnete , » nO = ' m «^ tha -inoaeo of woman ' s preponderance iiv tlie . world , . and m literature . > V e JecomnS readers who wo « ld like to be . told , in the » l »« nie 3 i . W . g «» ethf »? about WSe antediluvian .. wnwnw . UfctwlP . tUw volume pfJ ^ S «»^ Mar ? Girardin's . H « wiU show them matter for admiration , even in D Uxk anyMlirScodcry . andi ^ ah tinn After thus surveying the general expression of Love under tue varj imrcondtions of society , from ant ^ uity down to the scvontceth century , M ° G ^ a nH n enters on & * «&** £ « ^^ i ^^ STS ^ ii £ ^ to tliis naSBion in the drama , the romance , and the pnstofal , and it is t us £ Jt ofE work which is most attractive . Helens for «* one book after KSr perhaps lying dusfry . . our sfcolve ^ pofnU ouA beautiful passagoB S JSnifiS Wmkff 'JCheoeriU ^ appea ^ tho . motlUo . rting-ai . thor « a the world and paatoSab in , general , seem , r ^ daUle- ^ whichwohuinbly confess w ? ndr 4 bycWruiingl > i 3 ^ derV . U ^ rest , to Muda . ue iOeshouhtres , who oSt . 2 ? iB l 3 &' : i » « F * tt f 7 l . recollection , if : for , notbiffg . « l-c ,- ' at least tor havingwi ^ ten , thos 0 ; in *! i 3 ive Unea-rm ... ! wi ¦¦ ¦;• . . , , , ! , , .-Jfrul n ' estcohienfc dc ea fortune , . ,, , ; i , [ Ni . ra ^ cwotentlde son . esprit —> . ; r i an eiiismm . to which La « ocbefonca-nW lias given a newdress in his itf «« ' »« - ! . It iiWiaauna iinpossible ^ br us tb Fdllow him through gmiUmgdiy ^ urycy , so by way of selection , we . turn ' to his observations on ) R » mto and Juliet , u wl ' nch ho compares 'Shakspeare ' 8 ti-aRG < ly-with the novel of Xwiy . c ^ J ? !«•/ . ; . Ii the hovel it is Juliet who ^ nokos the fira * advance tx > aiomco ; ait the first filaice To / exchange , tho yoUng - maiden' feek . that ! her heart is no longor tib ? £ mi iwhen the pro Rto &* hb dance brings R « . neo near to her she says , " Welcome to my > sW Mcsscr Romeo , ' 'I M > . G rardm observes that this treatment of the , subject L * * i » tiroly m tl ^ e spirit ot ancient poeti > and hepoceeds :- » Why , in ancient poetry and in tl . o Italian novel , wh . c isiheroinqiuu-o uniwn , with awcient poetry , wJaynUo the . vewnen »»* " 1 > el ° being-loved ? , why do they AjcI Mw passion before inspiring > U ami why , m mof } Srn , poptry and rowing do Wif ^ a . the contrary V , JDulo loves Jh-nw before wj kqPW ^ . 9 | iieR , 0 l ^ was Joyed in wturn ,. aad jir « JW « y « i doubt frMieT 1 BUewa »( pvorIjlov . « d ...: M ^ w | P vc * JwpA b » ftnjb ^ Is it that the love-smitten heroines of antiquity M ; lwf » modesty than the love-smittexi . hcrouvea of inp ( J . ern twcj . P oiv , is it . tUat-tbe modern poet , a ; i roniapcwB aremore . roHncd and . reaervcd in the pictures the / «« veot worn » sentiments ? The ' manners of antiquity nl'lv c ^ l ) lft'u w . > In " ncl ( : ! 1 1 ' . , a ' wouuia vants t »> at . rescrvfl in feeling , ^ . ^ yet mprc m words , which is li rule in modern times . Shut up in tlio uyne . qou . Hi , . and . ncver mixing i « i »« society of me ,., wl ^ o t \^ nm \ yc s foup ^ oljtccts of love elsewhere , women vh compelM , wlwn love toOlc possession of tlieir , licarts ,, to proffer the nvou pV their ' passion ; 1 they ini ^ j . tbOnselves reveal their secret , or . let it run i . for ever unlcVown . . " . ' [ . .. ' . llip less , free ^ oiunn , w . »» ade by » ' ^ V \ convon ' tionalities , > h « freer docs she become through passion when mIic > ioi « . herself up to it / Thus , tl ^ e wpmen . whose passion , made them ^ " . "J" ^ '• antiquity were compelled to forget at onceilic fir » t and lust propn «! lH » 01 tlicMi-sex . la order to be loved , they wore forced to nay that , they lu ^ . '; nnd henca ancient poetry was accustomed to represent its Jicromca as inaKi » the first avowals of love . " t . , « ,,. i ,,. i . i M . Gimrdin tl ^ ii goes on to say that ShakHoeare ,. ' «» vho i * altogc lei . modern / ' differs in bis tre , Umeut from tWlLulmn nov wt , in anjitfiiii « J ; first movement aiid oxpresaion oflove to ttwneo ; m * he . meant t o 0 that 3 i » akspearo in an exmiplo of tho ( inlithoaw he Ihw just boon htnt fc between ancient find modern love , or wither love-malc . ng . Ho coul J »»>«;/ have made a more unfortunate , selection of a case in point , lo r—umonvoi » v !
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Citation
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Leader (1850-1860), Aug. 25, 1855, page 16, in the Nineteenth-Century Serials Edition (2008; 2018) ncse2.kdl.kcl.ac.uk/periodicals/l/issues/cld_25081855/page/16/
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