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4®& &&&* < _ liEA BiE^fc [No. S18, SAtoB...
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. ^¦"{ Y ):'"'/. THE SOGIEty OF B3R|TEgp...
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^liOl^ tdNDO^ GAZfeTTE. _'. •; 'pa&aity,...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Transcript
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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The Trateds Gf An Austramait. Btary 6f T...
Oriental witit Frankish mariners a ^ aifo ' iihd Alexandria * , and * o £ edurse did n & fr & iLip cifcnbOtttsule >» nd dive-aiicfe iKe Fyi ^ amjds . ^ tjthei ^ afcest ; novelty te ^ Australians ^ tTip i $$ & Qri %$ *~ ritnsty * t to eonae . ouQn -th e I ^ te ^ i ^ ifti ^ i ^^ topo ^ aii he > earjil an & witnessed confirmed the stafcef ments of the ^ g lish press relating -to' the sufferings of the army , and the inadequacy , <> f © reparations ; andsuppliea . ; ttelieving this sad and tumultuous picitttr ^ W ft ' fxapi 4-excui ^ iojn in . Italy , the- HAustraliauTSettleif ^ Iwktgs ; hia . > narrative toa close , and - disappear 8 on Southampton , water . He writes ^^ t ^"^^^;^^ ' . ^^ . ' ' . ^!; ' pplo . nffll : xeM 0 ra ; h » S' Eastern and European sl ^ ieiea . wUl . possess a peculiar interes t . Among the English , public his partingglancesat Australiawill secureattention . , «* . >> w . i ^ : . . , ,.
4®& &&&* < _ Liea Bie^Fc [No. S18, Satob...
4 ®& &&&* < _ liEA BiE ^ fc [ No . S 18 , SAtoBJXAY .
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. ^¦"{ Y ):'"'/. The Sogiety Of B3r|Tegp...
. ^¦ " { Y ) : '"'/ . THE SOGIEty OF B 3 R | TEgp : ARTISTS . ' " ' ¦ TjfiVb ^ fe o ^ , th e th ree exh ibitions now <> pen is ij . t the Gallery in Suffolkst | e | j $ r , ^ , ? A : jstill , iftore encouraging lact ithan s . upyemacy-4 fbri . after ail , it js not much to assert that the Suffblk- ^ street exhibitox 3 have beaten ; their rivals in ? Regent-str . eet and PaU-maU— -is the internal proof of ait Advancing power gi ^^ &^ ar i ) y t ^ Societ ^; <) f British " , 4 xtas ^ s :.-In- " l ^ scape most especfaHy , _ but also in homely natufal sabje ' ets , combining ^ landscape and figures , w «^^ e ^| fa ^ n ^ re . ; p ^ force of hanct thafn a pr 6-portionate ^ . rea of-paittting . ^^ sh < i \ irs , els (&\ 7 h 6 r ^; Jn mere portraiture—a branch pCoffetewftlQtfei % ' aftogetheirr ^^ ooiat . thet academical ^ British Institutioti ^ feui w ^ jfe ^ ftow ^ d ^ run mld- at ; the ^ er / 1 ^ 3 titut 5 pn , c ^ sd , l ^^ ay pf e ^ m ^ j & pB ^^ 9 ^ y ^^ 2 ^ i 5 oiial- ^ h ^ is ^ much : ^ that * W w 6 ittfM ikotice ^ ftt S ^ olkistreet . t ^ Mti'Htirlst ^ kb ^ ^^ the president ^ ^ woulct do ^ ^ tteir , teayjiig praVafep &^ prtagQ qut of , the ^^ uestiony j f »; he would stick to s ^ ubjek-pa ( riting v ^ ft ^ P ^^* : ? PP # t ^ tsv ^ Bwt ^ yJeti ,-ine .- 'b ; r-moi ; e . ' silecessftilVtha » he <|» as ^^ fclie ^ a i » D niaking his likenesseis *« l ? e'Iif ^? a s ^ p ^^ I ^ M ^^^^^' : fi gi ^^^ ittM ^ Mmm ^ pi ^ m ^ f ^ m ^ m ^ 0 ^ pj ^ iu ^ q ^^ iMita ^ daiiiTag ^ j ^ a ^ Mr , . || C ? fwt- ' ^^^ " ^ 8 v- ^^ r' ?¦ W ^* iM 0 ^ t ^^ fcno ^ ent ^ j'fi . th ^ r . efar ^ TO ^ and . ecj 3 entr | c , iti (^ pf ¦ art ^ # . ^ - * fc > iFud ^ There is nothing . ^ or ^^ nj ^^^ ^ f the gallery th ancttteifeatuEesTpftithese ' ^ foSss & j & z ! 1 !?^ & $ m && mMm ^ than aoBtsxpN ^^ aW ^ o ^ l ^^ Z ; Bh ^ has an excellent likeness of ^^ a ^ v ^ ao ^ rayj | fine iufl ^& g ^^ wJiJ ^ B , , ffaftfc ^ %% j & ^ iiiini ^ ^ ittae ^ ea ^^^ V'W ^^ generally recognised = ^ s ^ te Ppfe ^ f $$ ^ nioderS XIjtaiNA ^ coBsidered with ; refe ^ ta ^^^ iredi ^ r . Bcc ^^ - 'b ^ subject , and has . r ^ eh'lylj ^^ efgp ^ iqi ^;^ v ¦ He'b ^^ neyer painted a more life-T jtf $ ^& i 9 ! ffi r " , ; - > # ^ y |? iPJ" ^ . " }^ ^ f "?! ? v ;^' .. fen % , hj ( a u | iM 4 ? n ^ JtUtiQW 0 / . uijxdrjessed ( Qf ' Wd ^ e 5 ? ii ^ g ^ ^ a ^^ ar ^ iwe ^ w 'W ^ TTBiCU ; We confess that c ' riitiqism , in tfei ^ ins ^ ancei % ? LS ? y ?? i § l ^? r ^^® rs v' ^ whe ^ aeserip ^ tiop > halil ^ v , we ; . w request anyone to conjure- ^ lp the hriage of JMi ^ WSU" ^¦ fes 4 ? g % ^ » MJE ^ ng ^; t % for eground of one ~ o £ fliose faurjjfdells which the Paxtont of WeUihgton-stceei , Beverlet , used to lay ^ i C ^ % ^ t vce , uW Public to i ; an > ble , ni . Miltojji and Si ; , Mark , will ; mater , rially assist m carrying dut the idea thud 1 stt * gested . ~ -, - ,, , T ^ ie , ' *' : Ret ^ ^ o ^; tne , B ^ l ^^} se ^? : § nfeditt WpoLM ^ s A apc . u ^ pmed a , nd v secular style , is a . subject better adapted to his eaprioious pencil . 7 ' ' A : ^ % ^ H ^ S , in" »^ p % '«^« l ^ "T ^^^ cn . Tbf ^ a- . ~ x ^^ % ei |^^ K | ei . 'l »^» dl 4 ei @ r f- ^ l ^ ei - ~ n «» -fe - ^ r ^^ pr- ' - n |^ v ^ l T $ * s . W $ M y & , pa $ , tM sep ^ ment > and the , lady , and jthefero ^ de ' sapping down from the gossanier under-qlothes , and the white satin stays that uidlJ mWliWWW ^ WM'Wfc and the orailge ^ awny pacKgroundi and th & lapTdog ( we forget his place in this ' parlicul ^ MtuTfe ' bu £ he ; * ^ , the tolleAtable ^ * MiS f ^ PI ! ft ^? t ^/ PWvP I ^^ Wrl W m ^ nd upon the lady hefseif , air the lafee and loveliness that heart coUld long for , —we have had these
% hi « gaffr 6 m Mr ; WppLMBR againand agam , ^ ir # so fongiaafhtt OonlTames thrust , ing th ^ m ; wpon our acceptance , we shall take them Hndly , prov & edSv come unmixed with badEnglish translations of the scenery and sentiment ;; PimtdiiJPerdu or any other scriptural # «««* from the Ambi git Gomique Noble , who js ; i almost as artificial , in his own way , ap WoolWr h » never yet made the mistake , of stepping beyond his proper , ground . Of Mr teni . contarib . ution & j we will name the smallest as being every way the heTt Itvis ^ good that , had . we seen ;> t on the walls of t ^ e Royal Acadenvv wl * should have taken it for a work of Lesmb ' s . -As the picture is verv small , and is Badly hung near the ground , it may be necessary tp call attS tion to lfetoy ; thte number in the catalogue-i-2 l 2 ^ It is entitled " The Album' » aWe find that we have left out truer and better artists thai * those last mentionedi and we are sorry that shortness of space ; compels us to generalise where we < would rather point to special . signs of , merit . Henzbll , for insfancp , demands a paragraph to himself— :-a paragraph ; that should be full of praise . fpr ike present , and of encouragenient for future , e ^ brfes . -.- No artist lam n > ore distinguished himself , in the last few years , by steady and continued advance . The group of figures " Qn the Welsh Cpast' ? will . iustifv theopmiQn . we have ventured : to , record of Hjmmiem .. . In pastoral scenes Co ^ BBXTp still . hp ^ ds . plaee i and Baxter , hardly sp successful in his subjects as . last , year , ha § miorethan one blossom of womanhood to win our . thanks aiid ' admiration . l ^ andscapes by West , PtrNBy JJanby , Eodbington Wwaiams ,, and . other painters rising into feme as desferyedly high as theirs * make up a great—perh < aps the ; greater-T-bortion of the display . When we th ^ k pf the thtjusaAds pf human souls brickedup in this labyrinth of dyiU * sation ; when wedthink , too , pjf tho § e . noble passages in Jlton Locke ^ , where the author , speaking through his hero , thanks the great and gloriousmodern landscape painters of England for bringing their . ' fresh , spoils , and laying " ^ M S'Af ^^ i ^^ ) ' ^^^ feefc . o | those who -are hungering for beauty and for % ature ^ we * the tnore painfull y feel the want of a iSptional Gallery that shaU not belie its title . ¦ . . ' ' > ''" . , ; " . " 1 , "" . i ? . \ " . ¦ ' : '; . ' ' ¦¦ ' ,. ., " ' ,
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r'BlftTHS ^ TVt / l ^ x > , - ¦ 'V ; ¦ ' > ' . ' . ' , . ' . . . , -BIRTHS * ¦< ¦ ¦ - . ¦' • " ¦ A l ? S ?^ C > P ^ W >^ tyVr 6 & Petftin , ftp ' . * , ady ' pt Kgtybi . ^ BdwJUfd ^ AbbtJtfc , Bs ^ . rjlior MptfW ' fl Consul . ; a T ] g ^ S % if Wi ^ ' a ^^ ' 4 .- , ^ Ta ' wbflplii ; jn « w Squthajnp , t & nV ttio fcady Edward ^^ nc i <* . « Wk * llMWKWK .. v . » . ¦ ' j ¦ T iSSffit ^ ? aonf 'W ^^ WHft ?^ Wfiei ^ orfch ,, . . . .. « '' « -. ' i , '¦ > ' ' MARRIAGES . " ¦ "
; jaiGqiNSts-Oft Sunday . the 13 th inat ., at Kilburn , Middlesex , Mr- jPrariejis Higgins , nged 79 . grandson of the Rev . Johivliutlo ^ hh , T > , lato roctom of WnUinetai * Hertford-Bhirtya , ud ^ gre a < i , rjiepaew \<> f Jac ob Butler , Esq ., barrister-, at . la \ y , lato of , CJpjiy ' s-inn , London , and Barnwoll Abboy , ,. CambriqffesMrp ,. Deceased waa nearly 60 years in the ¦ ' HydpograpJucal O / fico , Admiralty , . ;) ,., , ., . , . & MIVH . ~ 6 ri the'' Slat , ihst . ; at « , ' WoymoutU-stroet , Portlattdr ^ lac ^ Mrai Keunard $ m * th , \\\ y ijier 90 th year , PAP ^ IlbiT ^ On th © 2 | istfrin 8 t-L at SandKato . ' aftor a short iluww * , JPrance ^ j fourth daughtor of tBo late Thomas PapUlon , Upc ^ M A , wlw > rpla < JO , jiC . 'Out , « 1 1 , -, , ^¦^ ff ' rW TOW ? Pf itfto W W . Morgan , vicar of that p ^ rish / a ^ o ^ O . q ¦ - " , t . 1 . p * 10
, | 3 &» BMor 6 , OcitS , vtu 8 ujarh , of Hjfe Myaoro 1 CpmSlBstott , i •^ f . ' | HanH ^ l |^ Ml ^ a | 0 8 < sx , ¦ ¦ - ¦ : ;; , ¦ ' ¦' , _ ' :. ' ^ - Y '¦ r "' P ^ OB ^ AVIES . rTOiiiha lab inst , ; atSt . 0 ? hom < iChurch 1 , . ' mJ ^ fiMWtyi & i . « T . iW ., ttrioo , 80 th , Itw ^ iineut , MIW . I . . < mTO & S » imvi , n | fc 80 h 6 Jitho » ov . X 3 . p . Priqe . M . Av ' vlcar 5 SfiS ? P S *» . \ Ml . ddle ? eJtv to * Q eorgiiia Caroline , eeoond ? ii too
(^ Ilild . —On * 1 * o aisfc iiisto at tho rosldonco of his son-in-law . . Georeo ^ Mowaona , lEaqv , flPhomaaiQiH , , -Msa ., aged 84 . for upwarda of 20 yeaw Obaicwan of thq Oon » ralttoo of Mo > ohanios in tho Booloty of : Arts .
w « BW » er , « ujte uaptftiniA-jDavioai-. lfcTft , artd grand < ) a ^ pt > 4 ^ b » l ^ mtTaar 8 t . Yi 3 cowntN wSJlillTOf ? Mto Mlao' w Wowdjvtho . . WjrJ ^ iRTfflfi ^ iBt Wv ^ WW ,.-. - . 8 BWlWl ^^ tho , 20 th in « t ., at Christ
R' V " : •, ' : Y V/ :'^ ;; '' ¦ T^S? 3 ...
r ' v " : , ' : V / ' ^ ;; '' ¦ t ^ S ? KOT ^ -rrAkaujsr -cjpera ., ;;; - •" . ¦ ¦ ¦¦ ; ^ BLi ^ iElisit ifFJLmrj . mvk produced at the IiTbEtiBic Opferia House on Thursday WeveningX--Jii : ^ jus $ tb . ^ proper ; kind of ^ opera for the bijou theatre whicli now ' ^ 9 ^ a ? "J ^; S ^' ^^^ ^ nd stiatej ^ fyCoyent G ^ rde n ^; fc ^ ng ^ iy ^^ iryV ^ and ' mel ^ dipus . When we say . tlEiat JjojfcqNj perforoied ^^?^ m ^ a-p iece of ' ac ^^| ra ! % o | e for ijs humouristic genius— -thaf ftABp ^ i stii ^ tiaineij t ^ ie part o |^ mp > 7 »?^ nd ttt ^ , ; as a ; % ^ l ; cKipirbi , ^ a 4 . ^ iaelB 6 . $ ib , iri ^ oy ^^;^ mliw iUr ie ?§ , nia , ^ % & £ jfirst ^ appeai ? ance at this theatre as J . diiiaj- ± -yre need add hdthiii ^ | o = convince the readeir thcit t ^ e ^ a ^ ificatipjn . 0 ^ the audience m : -great > ¦ ¦ ¦"¦" " '' : '' ^ :: ^^^ t- ^ ' ¦ :- ' , ' . ' , * T . \ '" - - " . " V .- ' ¦ ' 'i ''" . ' - -- ' ^ - ' ., ' ^ ¦ ¦ ' . ¦ _ ¦ ¦ . ^ -l ' " ¦ ¦¦ : ¦ ; --We are able , by the way ^ to feonfirmj on good au < iliority , tili ^ 'rep 1 t > rfc that titrJBsatHie ^ serMgtt ^ probable thaV "ihe old hduse" ynU be reTBuflt . The I > aik : e . o £ . 4 Jbdfdrb is understood to desire it ; and we are informed that so nvufch of the skeleton of the theatre " renaains in a perfecfly uninjured state rti ^ at the expertse of r ^ erection will be much less than was at first supposed . ijt ^ pg . ttid ^ cojiitemplafed improyeuaents . is : to be a , coyejred carriage-road from the Piazza right into the body d £ ' the building , in order that ladies ma'jr . ' wbe set down close to theiybox ^ without ( exposure : to < weather , or ^¦ t ^ fe ^^' ^ if '^ u ^ tiih g ^ b y ^ Qur' humid ! cliraja . te , what Mombre ' s fop calls " the emkbvpoiht ofi the feathers . " There will also be a lnagaificent coueert-room 6 f very large dimensions . !
; .T ¦ » Fc ¦ - • ¦ ' ¦ . ' R • ¦ ¦- ^ ¦...
. t ¦ » fc ¦ - ¦ ' ¦ . ' r ¦ ¦ - ^ ¦ ; - ¦ ¦ , ' ¦ - ;• . ¦ •' -.,. ¦ »{¦ . " f' - r ¦;!'¦<> ' . '" ' " ' ' . . : i'A Mw Charles DrtLON has been making his appearance at Sadler ' s Wells , in the part 6 f Belphegor , the Mountebank ^ in an English version of ^ ihe . French drama of Paillasse-: , —a part first made celebrated by M . FrbdiitfrcB : Tjemjlitr ^ e , and Anglicized by Mr ' . WjBBSTER . ' who some years ago ^ erfdrm ^ d'it 'at tlie Adelphi . Mr . Dillon , who 'lias' previously made a small celebrity in the provincesi received the ratifip & tufrt of an Islington audience . ' , ' ' ; '' ' . ' , '• , , v . ' . ' . '' . ' . '' ' '' . ''
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¦'; ¦( ¦> ' 1 , ¦ 1 . . •< . ' > j . 1 . j .,. j r ' ¦ t - ' 1 . - . ¦ . : ¦ Mr . Charles ICe an announces < J » e Winter * sTale ^ with his . usual attention to spectacle . He proposes to give an ancient Greek element to the costumes , § pei ^ y » , 4 fC » insteaLd . of iihe mediseyal pha , rac , < jer generally adopted . , We eon-^ es , s , w 9 l . were , startled with this at first ; but there are some gp 0 d reasons in its favour .. The truth is , however ,, that the play is anomalous ,, jii all such matters ; and " whichever you please , my littie dears , " might be the rule .
^Liol^ Tdndo^ Gazfette. _'. •; 'Pa&Aity,...
^ liOl ^ tdNDO ^ GAZfeTTE . _' . •; ' pa & aity , Atfrh i ' % 2 > . , BANgK . U ^ Ojr . ANNtJ'iiLBk-i-JonN Lowb , Ohotwynd Anton , Salop , Minister . . ' WJ ¦ ^& 7 ^&! ms ^^& &^ JJssox , » ncttdrapor-Jonw Munww * , 4 , Oolonmn-atroot , Ofty
commissiqn meroliftnt-r-PflBoiyAt Forbes Jenkins , Hun * tors' Ajtii » 8 J ? ublic-houso , 11 , Coimpton'Stroeti Brunawicksquarp . Pt . Pancras ^ licensed victuaUor—Joseph Whikldoh Pkiob , Wolyerhampton ; commission agent and oil morohanfc - —Wltiii / ii Shiillbyv Hcddoaford , Stafford , livery stable koopcr - ; -, jQ $ wpn , QjAiTJCOja , iW » ll-heathv KinRswJnford , atairord , licensed , vlptuajlor—Samwhi . ' Smith PiriLwra , Oar'diif , Glamorgan , provision and bonded store merchant—BxiWAmDiRowA and * Ei »\ yA , iu > ttowB , tho younger , Ponzanpp , OprnwRn , atationora r- WiiiMAM QAnaxAjsa and TiXOWA . 8 GAKsyANG , Wigan , Lancaster , coal doalora — Samuel Wiiittakku , Manohostorj HconSed ) victualler—GEonom Ouredale . Burnloy , Lancaster , mnnufaeturer . SCOTPH ^ AN- ^ VYT .-rJAQ ^ BjKSQQUBbxv ; Mothorwoll , groce r and provision merchant .
• . •'¦'' Friday . Jivril ^ , ' ' , BAW » lWPTS ; - 'Po 8 XKB 11 b vwdfcDd , ' Brdad-street , City , allk merchant ~ Q # A , R & B , a , I ^ oKa , King-street , Portmansquftro , house decorator— < 3 Bo ) dw » m CliAAtDKBtAiN , jun ., Crawford-street , Maryltibotio , plumber—John B . Pomcabd , fit ) , Johnyn-Htroct , St . Jamosi We ^ lnnlp ^ ter , tailor— Jamks Sawoi ^ okp , IHnckloy , I , oicoBtortihlre , draper and moroor—WltMAM H 3 BNWV WOOJUOJBTtt ' aud 3 oW ! t F »« OEttI 0 K SAIToroftp WoowasTi , Lime ^ Btroob-aquaro , ehtp agents—JortK Ba'XWBB , Putney , waterman—John Hai . ua . nk , Leeds , com faqtor — YTxtmlmm . Stujubs , Birmingham , brasaftmudur — Thomas WiiWiiAM ; \ Vin / jmhi , 0 and ifjuuiPHiuoK CiiAiiMta 0 X-A . UKH , JUrmlngham , faotora . SCOXOH SEQUESTRATIONS . —Wxr-MAM Robbiitbow . Qloagowi oontraotov—John Hay , Gla % ow , wine and spirit moreliaut—Gavin JBai . iNXOW , GlaBgove , gi'ocor — Joi' » . M'Oojdwckwdai-b , Qarcloohhoad , utoamboat steward—Wrfcium Roy , Jun ,, and Co ., Groan Axthurllo Print Works , Barrhoad , calico nrlutora .
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Citation
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Leader (1850-1860), April 26, 1856, page 20, in the Nineteenth-Century Serials Edition (2008; 2018) ncse2.kdl.kcl.ac.uk/periodicals/l/issues/cld_26041856/page/20/
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