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e ^ li ^ Pl ^ m ^^^^ i miN *?* Aah r -ib ^ e ^^^ # B ^^ 3 » QJ ^^ Wt ^^ is vcp ** snfcia * Ota wine * , groin i-be fm ^ m ^ M ^ mmW ^ nAmm ^ ' ^^ & ** $% K&itioktd . ( ? ^ N ^ RM « 9 *^ #% ^ llg 3 ^ r , C ^ ^ , 4 beLJB ^; 4 ib ^ t ^ juti ^ aA ^ ihW JliP ^ Pfe ^ P « a «^ 1 ! B | feiN « f W ^ ectscqpie * to uaui lbeTorm of a bidky cLuarto * Qitaa&imtkmBk T a \^ ima * T * d * c ti ^ rtkle < tf ¦ r $ & g ^ £ n ^ £ . $ j , fit jffifrre si ^ l ^ $ tiiftj ^^ ^ M . Ji ^^ iii ^^ 9 ^ t&ib l » »^ i ^ tiim ^ A 4 lQgis ^^? # ^^ Da ^ nt © a ^ flie e « m&fi ^ jaW ^ W tlH 3 T ^ trtne , ^ esemn ^ W eittsely ^ if ^ ime * ad 1 $ jftiSi » lf ! : $ ^ o r « iip * % fi § o j * itf'Ste >*^ lfS # fad *<^ r ^ aatui * : of , the cmm ^ M ¥ mm& * mmM % y&& ^ w * i& ^ &im ^ j ^ imr ^ djr-m late Dr . SamueT ^ eorge ^ orion , to ! wii <> iri * h «? wo * fc % appro- ' ^ M ^ d gftfeat ^^ contributes ; mSk ^ teh ^ f' ^ mUtttn ^ pfy > 9 i ^ W tKt ! Amnm ^ mi ^ iid ^ mr rtl * m ± t&iWdifrerenJL topes ' <» % / . ffib ^ fci ^ # te ^ fe ^^^ G-iai ) - - ^ JK ^/ and wltte * taf tlw ^ iatory ! aad iMrturat feists y , M-6 tto wbrds , to tie ^ ^ ^ ¦ : ;¦ ¦ - ¦»
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r : l Ia > tl » 5 J » t «» t . «« in 3 Mr © £ < the &moi ¥ aekrQuara ! riy isAfl * i * icle-o * the English Jl ^ S ^*?^^ Itmight'have t *^ i wiii * enj > y »• Oxford or Cijnfcritfge inaiv » 8 taf «^ regard * tfamiliaritj - -with the working , of the . juiuyersity systefflff , « b 4 th * difficult j of getting * ^^^^ V ^^ J ^^^^ p ^ a ^^^ eads : or'tama ^ - ** ' any © the ifadootdr but ie * Miea : Krf « ikT « ar xrai ^ rHity co « W take « y broati ft vk ^ i of tKi * ^ ¥$ ^^^^^^^^ 1 ^ < h * t ^ e ipTwdeifft of tB ^ s ^ ti ^ bte insiittf-^ owendow ^ T tW ^ fe tki benefit of the brain pctesessta * , " nbt th ^ ** lan <* awp ^^ ? . ^^ wj ^ 4 d ^ e ireqwr ^ ii eftte ^ tl * apresent tiEa e j —t ^ at , the Mfypinfi i&ta Exacted are rneonsistent -wi « k « h « t-eiigioHs st * te of : th « co ^ niiiT , as well as with the slty bodi
JPf ^ WWif ^ te P& ^ nS ^ » niver an 4 t utorial es , aainptr cotistituted ^ caimot ^ e expecfccd . to make the ra 4 ic 4 ch ^^ ^ eces ^ t ^^ : * ^ P ^^^ 54 ® 1 ^® *^ e ^^ nrferifed frcfm hia statement of % tvobitained &fm i |* i ^ ep 9 P | oiP Urn Boyal Commiarionwrs , and from , the r ^ counaenda-4 itej |^^^ 3 tAar ( i T «* to * Assoctatiott ; far there is no dogmatism wid Uttto ^¦ dtt |^ i ^ wft ( p ] f ^^ sq ^ ' t- ' m ' -flie ' artrcle . He makes the facts explain the tune ; « tat « tcrf tWawef ^ o the inteUigent reade » . In the CDnolnding paragraph ou 3 fjr : Soefcf Bift declare expressly his crwrn Dpiliions on the matter ; one of whiob it must be romejajberodt is Aot an innovation ^ but a restoration of rigtts ; nam ^ l /—that "'' Sti ^ lisli gctttlemen , English trftdesmen , ay , and English tne-Chawce , tQC ^ -rrfoKfjI ^ eiM is . not onlj ample -space and -verge enough * for all these , bat ewprww proviswii made for the poorest and the humblest of them
3 Bbe < iea * h of Mr . FicHJBttiN <^ , the publisher , fe the more to be regretted that he was Aft » ost ttnuptfr amdng ; ni * dassr . Hw knowledge—esrteclall ' fiis BTrtJ ^^ ariatt'fagtowl ^ dgef—orf bddks , was something quite remarkable and made hhta tire rVretifl of scholctra . His high character in busiiiestf was not for si moment clouded fcy his recent pecuniary misfortunes ; but it is a melan-< jfroly tHing that' bis la ^ t . hours were embittered by the knowled ge t&at fcis daughters wduia probably be penniless ^ Tien his debts were all paid . "We fake this opportunity ~ of mentioning a circumstance which we inadyerteatly omitted last week , and wtich . some ; of pur , read . era will be glad to know . A subscription for these ladies has been begun by some personal : frieada of their . father .
—are entitled to hate security for the proper education of their sons in tthose venerable insiitutions—for their highest instruction , their most careful ^ a ^ ntng , their utmost acconnplishment as highly educated men and rightminded Chxiatiaa gentleman . " This article is significant of the great interest felt by American , scholars and gentlemen ia all , the important questions affecting the intellectual statua of the mother ooumtry . What ia done at Oxford or Cambridge rouses their sym ^ a , thy and excites their hope and fear' —there is no jealousy or
mauvcttse ptaitonterie in . their treatment of the matter . Why do our Government an < t Parliament , by the niggling treatment & £ this gTeat subject , compel English readers to draw unfavourable comparisons between views on the matter in monarchical or in republican countries ?
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TAt ^ otmtrs CAsnti&N . TkeCasGfcLn . An HistmicoaT ? &g ^ fifr Five-Acts . By T . N . TalfotEol . Moaan . In noticing ,, a week < w : two a ^ o , the last Vacation Ramble of Mr . Justice Taifourd ,. published simultaneously vitk the volume now before us , we xeaerved the drama for separate consideration , du ^ e to it from the high iep « - tahon enjoyed h y ¦ / i ^ $ p tojox , 8 & a dr ^ ijiatic poet , and from the , fact that its publi < ati pnV i 6 ntf promise ^ , t ^ befn ; ahda 6 mtrer ^' wno little dreamed Ihat it would first reach our hands as a pdstniaibbujiirbrk . i * - ' K - ¦ f . " - ' - : - ¦¦ . ' - ¦ ' y \ / ¦ '¦ >• ¦ Wo whdl € W ^ ?^ ge ^ aH&ur ^^^ oir ' wlio ' nono ' aVea His genius ' , it muklbe matter of rejoicing that tlteire W ^ faffing ^ of Ifce laurel visible Ih ^ hisi'liis
latent work . Indeed * uot only does it fully sustain the reputation a&q&rfed byhklbroaer drftmattQ prodoctions , febt we are inclined to believe ifr will be ranked as , s ^ eandr « on ^ < tt * Jtf % wHic *» stands uaquestuJnably 'firstJUMid highest . But hermit is r ^ g ht toJcmalify < wir meaniag ,, aiid fo ea ^ taiitadiat we . adsairje ity . flakfapftteif » sai&aiapB att . TalfpoEd ' ^ plays—in the % ht < if dramas to ^ JNBa ^ ^ t . af ^^ ^ p ^ b ^ . A ^^!^ , ^^;^^ cast in the dramatic ! fornv S ^ el y ^ coiiCeiyed cftgrarAqiy fffgV ^ i ^! " ?^ i ? . ^ i " , ^ » fiE ^ F ^ fC ft p' proiiristte'didttonv ' ATe ' ftflJw ^ ere ^ out | the pecs 6 nage 8 pass , as ma ., magic glass « eft ^« sM « fie ^ ia ^ t » iiseiiaiL re ^ ty , TO ^^ « lassfe > cttfffeeplfife ^« f Ok Ujcter 6 | rSte ^ tfge , ihfe ¥ M ? th 6 tiglt hitt our iintelleci is idone Sartttnesteo ^; W ^ ni papfise ^ vi ^ ovtir brafifts . Mdt with tyir
; tiearts ; our perception i » - rarely tear-blindect , our judgment never laid to sleep ; we Jure io : no danger of sym | mtliiiring with tbe villain , or of being d ^ cei y ^ d )^ 3 th ^ o ^ . ^ carried awS ) c , ^ ; JDt is ^ wayg { ii ^ e ^ aEy ^ tamalce ; tthfe > dktmction > becau ^ mo two worfcsiof art , nQtw ^ psj ^ difl ^ t ^ ebc ^ tfirii al res « nxblattce , * r « Baoreprofoundly . diffib-^^ LH ^^ rfzM **? J ^ W&& $ && ap reading An ^^ p acting f lays :: they appeal to diff ^ i' ^ nt ^ ij ^ tions i $ t the . jQaind ^ ijQterest . by different , mede&of action »^ re ^ ub ^ c t -td ^ aSEteriixit requirements ^ of compositioo , ^ a either is wronged , wheriCjuogea by- the standard of the other . Byron ^ s Sardqhapalns ' is as noble a po « m fcBJe ^ ef ^ as fwtlit en ; wlm e the ^ rdn&fer of fc > ti et » ue cbntains moctt bs into
rpmoaoty ^ aa *** rasii' was ever ' conaetised fiire acts ; atidyet , aot even spectacle and etaditionr eah make the forttter otherwise than wearif aou > eas a . ^^ p ^ f » whilethelatterveTenindifferently pl ^ yed i seldom fails to ., excite , the . sympathies , and ; shake the , stoicistn , of ifeVex ^ o critically mcline ^ aj £ a ^ euqe , whp f SSweep , ' . and are disarm ^ di ?' . ¦ i .. -, i , , We " believe ^ ut % a % ctf )* hft beauti *» . of the , € kMfflim would be lost apoh tihe ' stage f yhife , bn ' tWe o ^ iev ^ hand ^ quc } pleasuare , ; ia ( reading ; it is comparar tivelytut KttIe '* flR ^ ed hj ^ certftin defeats in d ^ amat ^ cca ^ bructipn , wEict ^ wouM beeome palpable i ^ ye ^ reaentgon . ' ^ is ( -defici ^ qFt in unity of actooo , concentration , onward moYemerii . ' , Th ^ snbject is ttxe revolt o ^ Tple ^ o an ^ otk « ir SiMuiish towAa u ^^ et Uie ir ' ba rule of Cardinal Adrian , abcointed reg < ai | t during th ^^ absence of < fJharles the TiSh in \ h& J iTetherlan ( b . Don
< io ^ i aqe JtraajJia ^ tne . C «*< tfmrt ) , tne type ot « hero antt a patriot , "was the leader in the struggle for liberty , ant ! finally its victim , being supplarted by a more artful and unscrupulous , demagogue . / The chief inlerfest of the drama lies in the mental strife : of Eadilia , between hiaiienfie of ht » country ' s wrong , ius ^ elings as ft loyal subject ^ and ; tie , difficulty which he speedily e ± pe-Tienrces in restraining men . who have . once pasged the , Buf 1 > icon of icebelhon within jiastiand tempJerat / e limits . With this is combined a . wcojad ppini « f inteirea ^ thettentporary retura . to reason of the unfortunate quQen * Jo&nna . h Loca , the widow of Phili |) the First , the motVer of Chaiies , ThJb eingular lucid iftterv ^ al ^ duxjng which she actuall y assumed l 3 ie reins ofjgOY&ament , would seem capable of , pro 4 ' ucmg a most ppwerful dramatic effect ; ana , in fact , tne scene which closes the third act is wonderfully fifae , imposhig , ana affectiirg . But the climax is there , too carry in the pieces a fault in dramatic construction . A third element of interest ( and one which we are justifeed in beKevmg to have been not the l « ost important in the author ' s eyes , from the ftwtt of ifc » being indicated in tb& motto pnrefixed to the tragedy ) is the character of the wife of Padilla , Donna Maria Pacheco , whose faith in her noble husband is only equalled by her ambition for him . The following extract is frqua the scene we alluded to above—tke halfawakening of the unhappy Joanna : —
U MCA . RIA . " Your Higlinesif ago Leaves yoara of life to come . " JOANNA . " A y years years , years — For I am doona'd , to wear a wondroufl Hie , FitroflF , it dawned \ n lustre ; then 'twaa pall'd In blackness streak'd with horrors ; now it bursts From sleep by fits , when long past things flash out In shapes that crowd the chnnrbera of my brain To agony that ependa its force ia throbbing ; And then I sleep again—longdreamlcaa sloops—Which must endure for years ; so Time sweeps by And leaves me a dull monument to keep Hia saddest rocorda ; none would own aie now For Iflabejk * b daughter . " MAUIA" All who know Eer imago living , trace it in your llighnoas .
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*• ¦ ¦ .. ¦ I' ' ¦ ¦ s ¦ • . t •¦ ' . . -. " ~ ; ' ¦ , - Vfitecstita * : ( iMbbTfciie i * gi * lafedrs , Twit tb . e ja 4 ge « and police of lifcpjrafc-ore . They do rj , at ^ faaksif l ^ j »^ p-- ^ e ^^ it $ xMiat and try to tbeta ^ — Edinburgh Itfview .
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'' ' H t ^ B ^ te ^ « iWftr 6 ^ fiymii ^ ii >?* i . j ^; C- > ^ f . -: ) -. i 3 i-.. •<; Vs )» i-... i .-: , . ¦ . .. 'i :-. --- ¦ . . .:. ¦• y ¦ . ¦ _ , ¦ Tboe . ; * uthor ^ hip of . the ^ o n p ^ jb . celebKtted boobs in wprld ^ except the && ! # and BjorAttr-rjWiams * h .-mm&& w 4 it ia very ; uiprobabte that even ^ he sagacity , of i ^ uri gm&dchihdren will discover more respecti ng the author i ^ aai tib ^ o&jilatftcitt ! ^ to us . aAjidiWB 4 lBDOTi i * athiDg i- 'i ! ' ! Tl «» eJ a » e ^ ifltdeedj » eitolars , ; a » 4 bookworms who , « t * ti 5 % A » thyp * $ tk « ei 8 in tke place of mi enigma , and strAj ^ litway believing 4 tt » their owit fic % ««» d ^ de ^ bwtfy befieVe that Hojcb « w » ote the Homeric ^ o ^ n » for 4 *^ ^ T ^ raerid «' wrot ^ ^ m ) , an ^^ ^ that Gs » aDH orf Gkbskn , ' ^^ mmf ^ m ' ^^ f ^ bpf ^^^^ Z' /^ V ^^ u . But the world ere * ji ^ ei y EutRT ftooUw «* i ^ s 6 Questions oi parentage . ; $ It CBewsfeei' the - fifreat XPm ^ PfSem ^ ^^ * ihougtt of their genealogy . New . ifr ^ wfrra tS ^ i ^^ ^ e ^^^ sse ^ tle ^ ook , - ^ jgmifiBfr ^ w &fl ^ w ^^ 0 ^ ^ l ip * &&y w ^ b - ^|^ un ^ ra . WM ^ tW oC * T ^ "^ w » , ; uolesa ^ m ^ nb ^ ilfty '^ artaiited : it ; & $ mfo ^ Myta ^^^ puwish ^ BrM : ^ s ^ . w ^ ch ^ 5 ^ makGit ] intew » iangl * rtflar ^? e « (^ old Uterature-it a ^ file oM ;^ uislar . 8 o ^ shflqMiCK * &i ^ r 3 & ^^ twm ^ ves ^^ a ^ 'h ^ yji ^ oji . ' ei ^ " sur- ; pjiswdi J ^ er ^ di « iJfl ^ o «»^ wliici the palates of con ^ msm ^^ m % ^ m k& )^ *^ ± ^ ^^^ , i : - ¦" ; , ' ;; , ; ., ; .:.. ; ' ¦ . "¦ ¦ ¦
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4 W -THE ¦¦ ¦ ' . lh g A ® E H . ¦ ^ " [ SA ^ R b ^ y ,
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Citation
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Leader (1850-1860), May 20, 1854, page 474, in the Nineteenth-Century Serials Edition (2008; 2018) ncse2.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct2039/page/18/
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