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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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S ^^^^ S SKS ^^^ saS ! SffiTd ^ S ^ t ^ SaiSSSqcs- Mftot ^ ink ><* - «« tk taMfrMtoWl intimate that his plumes ar-a borrowed . AaO-febe-afeove , it must be observed , tJOngAafcfcaen 4000 . 0113 zswhM ™ ooHv . Ak-i ¦>¦ " . I ^ I ^ V ^ l- . «> « , iw&To iifl ^ ttthis ^ eselatioir , « iy * u r 3 b ©* L » crftibiiM ^ n ^| fc « lM ^ 4 rW 6 # 4 iiC j ^ rfi plagiary . iHfe'ifitrfcdtt&r'iifa * his -ttfctfiitf * TrbWbatfoursonj ^ W WiclHne ¦
burden is * - ** ~ r" - ; --- -...... — - - _ , , ... ¦ , .. ¦ ¦»/ rT-3 > -iir J ¦ . i r /* ' ^ B « 6 r ' Uve-anajI < w < i'fen * ir * e | t , - _ ¦ ' . ' , ;' , ;;"; :: ; „ ., ;\ : \ , . ; , ; ., „ i n _ ' .,, V . ;; ' ; . ; . „ , , \ - ; ,: iv .,. o ^ Eh » a not--li ! re- « ndvloTei x ^ ,. , ' ,. ¦ . . * ; .. ;> :. ' ¦ .-. ¦¦¦¦ - •• : ^ e ; b ^ # & it 4 £ # ^ U- ' -i S ; V . p , */;^ -v ,: "i' ? ,:. xv / ::..- ; i ? tt ;" ** 5 ti ^ ^^^ at ^ dfirost "; & »* & in ^ e ^ eh ^ p i ^ Thest ^ e ^ t : 0 ^ n ford , on the Installation of the Earl offlDerby , ' ' JStr . Arnold lay * it ! dowii tha t - •• ¦ ' - - - - •¦ - " . ; • : ¦ -: !
, . _ , . ; ,. .. . ; ,. 7-V ¦ - -i ; ..- ? > i r ^^ - ^ t s PcapeJiath vjctoyi ^ of . « jteedaiid W 6 r # . "' , "' ¦ . / '' .. . ¦ , ' '' ¦'¦¦• , . ' Bu ^ J ^ plttto'&r ^^ b ^ en ; & # »? -Tijni , ; &n 8 hijs , ; i ^ ead # : tola us , in his sottiijBt , ! to Cromwell , that ; " l ^ V ^ v ;^ . ' , -. < ' v . ; - * - ¦ -- •¦; *¦ -i- ' - '• ' r . . , ., , '" ,, wj-v , .,.-. * - ;/ Aiif . ' . .: . ' ; i i- . U Peace hath her victories , ; ;; ¦ ' ; ;¦; ;/ . V . l " ; ;; , [ ,, _'___ , . No-less-than war . ' ,.. . ,-,,....,,,,,,:. ; . ; .-. ¦ :, ;> n-Thertftt \ &&de&& ^ & ^ e 8 M& % & ffl y QT through Mr . Arnold ' s Tplumej - ^ jwbihdw . obtained-B rtavrfl - ^ . S'rl ^ i ? " \ - ¦ ¦ ' _ / _
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i ^ V . -. --- ¦ ' ^/ raE ^ WAT ^^ OI ^^ J ^ H ^ ITtpC ^ : : ! 1 V- ^ v , ' . V . j ^ hffeartichr i « ri ^^^^ te ^^ lilg . ^ 3 ^ Vng l 1 ^; i 6 bi 9 Royals Academy , tut' has ; fcjee $ : j ^ tp > n < a $ o ^ , « QC ^ usit , ^ r ^ length iaiMi . tUe i ITOss ^ ref . of matter / . " !^ ¦ Tfew * Wso « etied--&f- -WateV . ^^^ leriesfor the season . Following ' the rule dt " JFirst comfe ^ st' ^ eryed , ^ ' ^ ' ^ iy pfeceaenceTo Ihe New Society ' s exlxibitipn , j ^ h ^ h ha . s tajcen the 1 ^ 3 / in , point pf tiSiei 2 Xaiit £ 3 , ijivall occasion ^ , < k jdeftsamefr t * sK £ « f approve than to condemn / and asi within / tlie limits of perfect fWirn ^ ss / a ^ a ^ gqcjd . jadgmgnt , trto ^ t iypr kf , 6 f a « ttffo * d \ yide ^ cppe foi : critic !^' yf ^ sii ^ . pQ ^^ i ^^^' qh ^^^ vXi ^^^ wh 5 ere ; : a chojde . is . open to- us . ' ^ We ishall * ndt * efciB ^ thelauaat ) Ie . iAeliOFttik ) n ; tO SBealc-well of itfactttd ^ pictores '< Jif % hlgH' ^ fl& »? ,: > ^ feSei& atfon i Aiiouahti- o * i ftmoV ii \ fen 16 fialisin
pxeraHs oyer p ^ jfessioga ^ f dwnes ^^ jrtfi i % i o ^^^ * r ^ tiiBiaitfoit , pf a 9 y : ^ d ^ yii ^«^^ % ^ oyer ^ Re faise "; the positive over the negative ;" the " g ^ Kjd : oyer . iiiiefbad . JLodfcingv individually at hundreds- of pictures exhibited this year , -vre c ^ n ' <^ teh \ priUse , vritH that impjiedi reaBrvat ^ onr jtrf . tha . pj ^ rer toLbJfiffle ; canVsefe h ^ a . beaujty ,, thete -a ^^ gg % g ' ^ frfpjqafl d jdea , pr ^ therey perhaps , a free , original . concept tfenJ *" ' * Bttt—and we " say it as much in justice to painters as to pur judgmetft , liable t % be . (^ ledj ^ nqme ^ tion ^ r ^ bu «^) f laudatory adjectives—we find . th ^ t . the maitffa ' ea ' wh ^ IiTwe ^ Tiave ^ ai joed-jrq >» -. 'visits to all the exhibitions opened this season i ( f- ^ eI ^ ft ^' an * i : 4 Sy . V ., "W « - « UiU bold . to tour opinion that the Society of British .-Agrt&ktto- Vhose -exlnbitSon in Suffblk-stretet was recently noticed by , n % is the body which shows nfiPSt signs of the . tlriJe spirit . Neither societjrof waiteivcoldiir painters , thbjpgh ' the yefij ? liniitation of ,, the means they work , with is in , itself a . bond ot union , comes so near as does the Suffolk-street society to the condition of acommonwealtt < : ' Much-. i $ " -wanting , even there ; and w «>
can onF ^ iJsikythafc'the Buffol | Crstreetf ^ 6 r " "BritishV-r-pamters are , as a body , less ariarciikiat'tnatf the other bodies which are so national on the point of distinctive titles . Therefore let it be understood that in almost every ¦ ittstartd ^^ where ' . 'V «( giye ' praise , tp a painfer , ^ Tpr certain ^ qualities , of his own , we omit the , just cen-Buife-which wbum' ' apply to hundreds in . the (< aaihp Jdegree a ' s to himself . We find it necessary , to make this general reservation . It would be a tedious work t ^ j enforceitin particular . cases ; Yet the approval which we . should give unqualified to men who are only able , to gr 6 s ( erit ; b'n ' e" ' occasional phase of merit , would have a danisiging influence ^ pp t ^ . standiO ^ d pf criticism . Xh ^ r ^ ^ Jlesa b ^^ a ^ t dUpla ^ of individual character than we- ' are accustomed to expect at' ihe-. gallery-of itherNew- ; Society of Water-colour ' . Painters . - The Btr ^^ , CQntri »« t 8 , jare . ! aU ' amottgj the'Very 'wftll ^ krrbwn ft ^ n ; anjd ce ^ ainly . the strides from Wabbeh ' s pictorial C 0 mth « ntaTled oh' Scripture , to Connopsip ' s
Chaucerian expositions of Connb'uilb ; and again , from these o * either of them to the ' gorgeous realisms of Haohp , the bright impromptu grettiness of , AbsojLon , or the lumpishvcreatlbhs intw'VHich 'Mr . We ^ nwix sometimes tnanages to put intemffenofr . fcndifeelirigv doicaueb ' tis a tftile loss of ttcatlu ,, But away from this chainlOfuneqttal eminences It-is ; < H \ the' \ vhplb ^ ! jt ' a ^ hQr | flat walking . In English landaonbe ; att'e ^ eclpti ^' ai [ i fyfiMtyJtf . . ' . ^ glish ^ ar . vifpr ! which wo omit no opportunlty ^ feWi ^ rfg ^ jbuKi ^ gh ' esRuWgaird , there must be a sameness of subject , if noiiVpf ireatraentjiand the proportion ' of Enftlifth'Ttthdscape this year is greater than we have evef khown 'it to 'bo ' at jKhe ^ e ^' j > V ftter-colour Exhibition , . In th ? # 'deparfcm ^ . ] Wr . BiNNJiyT stiinds first ,- Hi « ^ Gten Tilt , near Blair Atnol /' is 4 vflne , dashing jwlece , of vwaleF > -oolours ;> equal to TtAVio Cbx In 'Its ' rugged Btrensw of . outline . And in'itefVee ^ ^ iitmoiphterip ' spacH'Jind truth . A true alliance ofWdw « r add beauty has been fotia ^ ed in tlio papc <> f < EngUeli lands ^ ape ' -tiaintltig wbic | UL- ^ a ( wer 'ha , ^ . s a ^ d , . ie exceptional ftam tfae < oonditions under which art lapgiifahfte j iw . thi » - ¦ country 1 , \«( Aflfer Bbkkbt * ttyhy be named MVhsmvb ^ MtX < mwAitty Axtiow 'Pfiitt . 'BiV , " a ^ idJ ;^ 'rf Jjinds / GapG ^ ainter no less than a * a ptflntef df pfe «*» n « 'li ^ b . , % j £ lsis P , ' , Tp , Mr ' - Edmund . Warren , a ' s a ; foimg , arti « t
wj ^> n& ^^ p ^ uppqrt . tne iionourroi a latniiy naoaevweg ^ vo separate , » oticot pnnotpaMy on account of hi « very jcartifUV work' ' caft ^ l '' , *• , Nutting "^ - * study jn the school AfOdM ' flirAO ^ . ' ;' 'Jjlfft . ' ffi + #£$ & !; h ' as already Attained a skill and pr ' ediBion of t ^^' b ^ ^^ Vihe ^ n 4 ' CPTnpnon ;; and if he ho » yet ; to learn the secre t of making hiA )^ t $ | re % JUI « a ^ aturei dn-4 liengros «" ( ui «« ttch : ks | Hey aro ^ Lko . in eye ^ y petty dojttil- ^ hannontoua and viytiietotytyblA aa well ; afl , yrai ~ rho gives pr 6 mlse of ^ soon m % S $ ^ & $ A 0 * k ? W ^ W « ' & to . good , account . ' ; ' iti . , % mM * WjffMm * MAiwv ( nwenhfiVe a re ^ ' reBpdtit . ' ^ a t ^ q . pr ^ siijrqnA . Pfia bo 4 j 64 > £ jptmnm&f he ^ aeU ^ thU examp ' le'"Of con ^ pleiitlou * . labour ^ aad x *> mplet © ™ 0 ? tWkW $%$# ^ ° « ^ ^ i ^^ y ^ p ^ y ^ i : WttuqiOffciAwiDmouB . tDtonceptioiw ! 6 f' sacred sUb ] 0 cW ar& . nqt alwaye uawarded ^ SSS ^ 'ISK ^^ ' ^ P ^ . cipal > work
^ b ^ Mf-TWA ^^ Ne lMwsicy ^ nKJfr . jtJ ^ u'SoriptUMbl -ot , B « befcah' * iar 8 t « celn » &MW- iu T wjwJ . f ^ W ^ ifQCTM ^* b * i eantelft-agaUist ! the b « Ming . xiky ^ andtfeft |^ qg ; A ^ y ^ (< MLi ^« sand ^^ arai-moj ^ aotice ^ blojppiirtff ojfntidsupiobwf thanfawt ih ^ Jiiqrflfcijgif ihftiPhi ^ f , fperaonsbrilkutheT toe * w . a , A ^ rWA «« JBNra . ^ Hagar , t * e |^ A «^>(^ d : ihei ;!§ onT ' U ( iB > «| f | e « e ^ ftmjralieycwmpotUionj . ibnt t ^ dn ^ rwfc ^ beiii ^ f » pcje ^ rj at ^ dJ jp , ^ h je ; fig « se 8 , ttoB iceawlfe j jft &vou » ableyto : tinai-reqik , % ren » hS cwm )^ r ^^ hi he ^ yger ^ 4 jj ^ i ! eiarf ^^ ¦ : >[ ^ [ Mcj ^ 4 jc ^ p ' s ; l " oux o «<> a , tob ^ iftn 8 { itfchtde ttoe «; ofJ < th ( eanostiat £ r&ctivVpietQrQt in the gallery . They are marvels of skill and finish—of skill that diadains ' aH at otit
OXtincejJBind . ofjOmsJ ) that ia W-ftll hftatuwpd j . Hnwn tn ^ ha l . * r > uc „" The Antechamber of . the Tribunal of the Inquisition , in the Ducal Palace . Venice " ^ w ^^ i ^ i howey ^ r , jni ifoe action , or iin the figures—certainly jopt ^ in the faces—that the merit of the'picture ^ Meaj ' Mr . Haohe resembles a o fena . in th eyfriml manaB « . i ^ rjoq ^ i ; ., $£ & » ft W <* 2 Jt fefi jte irritok ^ Go uiioaj ( of ; 3 Ee »^ on let < them Remain * ut i » « q many V ; en « etian > magnates' who have ^ ** dropped In" Afoir fiiT particultt Business artd ^ her ' e . ^ votfld-iJe the ' . skme qualities to admire in 14 ^ ^ AttHft ' iS fworS « 3 ugt as , ^ e % % ; ^ h > ^ P ^ , pan ^ oFdM ^ ft ^^ ip » pre $ »* Me aanihat of ti \ e-Council of Ten and their victim , though the group whioh gives animation ^ and coloiur to the second " ^ itterior" represents merely ^ the Me ^ Rfl ^ b £ tJ ^; i& 6 Vporations . " t ; lTheJthwd © FM * . ? H ! 4 ctea ^ nl 6 W ttf&iffi bicturea . isV our ' -. oft &tehd " II Mdlii ^^ enie ^^' . The' sc ^ neV & . 7 toalWi « yL . 'flrtfi
HA&jifi ' & utanosfc brittianby- ^ i ^^ the Bcsfeena will be ftiuiid . a smail moak > i > £ MnHaoSib ?** , called « Tn « Scrii ^ hef . " ^ . M ^^ ty ^^ m ^ Mifl jn ' -des ^ -and ^ 'ffa « h ^ aft- ^ 't / e 4 W ^^ 7 ^ JMge ' pictures ' , ' and ^ it aa ^ itheiadvantage of greater ( character . ,, , ,. - -7 . ¦ , " « ' ,, ; 1 -. , ' , . , Mr . < eo ^ Bcwtt-D t * himsejlOfi . # h # 5 ^^ i ^^ on ^ - a ^ t ^ e , Ju&wallir ' is ^ « tfjjeire . ia sno , mi ^ . tak « aboutr his , nersonalifyk wJiether on j suit ^© X mail ^ or in ctoubtet iind , hose , ¦ on horsebaelc or on ; foot ^ ; : Love-making ' ¦ or joUBtiiig ^ or fsaving ' yp . ut ^" pjje ^ eijcei gettfegdru » k'in ;» -kn'ightly manne ^ wheh / ti 8 merj i y Siihail ^ a ' nd- ^ rds v ^ g aS , pr ^ yte fntisft ^ Qrreci | ^ agbns ^ bl ^ s ' , ; C )^^ i ^ e ^ , a 9 d liquptf-pbnt ^ iijjng . yeeeels of every qnaUit , ^ quQe £ form-that ^ a ^ ourr ? atreefc and Hanway ^ 31011 ^* 1511 keep f ^ r jfu a » indubitably' genome relics of those jolly , swaggering , flwilling- 'days of = < Hd . Hejfe IM ^ a"pibtiire ' , 5 icfyrlfivh , W 9 ¦ ibaveMr . jCOBBonrD all at ); prioe ^ -a grA ^ a cwittrhitmelt >* he
' - nie ^ ting : p «; flir . Cqasqnup , . i ^ ^ p ^ i ^^^ Te gbymnetre hys Birearoei" . taiwii * itClteafctiafcor ' ^ Jiynj ^ rjfe , ^ hs ^ . / a ^ n . ; is ^ eepin the midst of hJs w « rk ^^ hasifalleffi'tb ^ ive 'T&ts owtVitaten ^ en * ' dt the easej " into a > fitful and itteasy ' , ;^ le 6 p'J l | ifte , r' 4 : | P # g ( protracted reading of varied and antagonistic cha-^ aqter ^ " ] , ' Wf ^ i ^ e . in ibis : 1 condition—very capitally depicted by-the-by— " he dreams of j > atrbns of Artdeparting « o the Oriiriea- ^' ctf 'hJi . ^ etfW % Qti'havtag-il ' leg-left ; Qf ^ ln $ -: « # & ;( he Waters of Qblivign /^ titf . i ^^; H ^^^^ i ^^^ . ^; t % ^ ag # ; of ^ t % . ^ nsane ^ dcie ^ tv ,. ^ It woiuldtake xolumn 8 ^ 'pages ,, ^ flrei efald ^ upplemeuts , to , tell the -GOrbouldisine which tfrethorer < Jllectj& ! . { T " he corporeal part of the J > icture is •^ UH bf cte i ^ ly-^ nttdide ^ fs ^ istibp ^^;^ boo fa ^ meiinrsBhaUinjrand S ^ trawlifew ^ la . gameriingf , lnio i xhc /
tpaNnecu - ^ scoreB 'or roregrounas p . Vq ^ pjopto s . pwiivtre ^ ., uVoese , wiin * .. ( h ^^ 1 f >« e ^ tt ](> eit 1 ; . fi $ ) cnb ( : ' ; of * > e lymnerie . ^ a 4 h riying limner -with healthftil he ^ k ^ . 'Unen aa thQ'liliesbf the field , rings and chains and stwd ^/ ajid boots df price—occupy rone corner- ' of the' view :- ' The reW fcoritairis t ^ ei 'drMitt—not it dreftm , . 'Strictly Bp ^ aking-V-at least , if it be one at all , it is one in which the dr . eamer h ^ i § it all hi 3 Pwn-way , is methodical in-his-4 azyf-conscious madness , arid , deliberately marshals incongruities , not to haunt , and trouble qut repose long after we have seen them and have gone oh bnr way , but to be laughed Tjvcr , comfortably and coolly , at our leisure . The only piece < if nightmare fancy is the black pool in the foregroujnd ^ ^ n which floaty Ihft palette -of ; the drowning painter ; ' on which , too , rfpai "torrible " bubbles-rr-mute criea of agpny- ^ -aud from which two despairing hands protrude ; arid Clutch at the vital ^ ali ; . . All be-Bides is pure drpllery ; . there are pretty and humbrbtis' ' jfancies . wideawake
fancies , which , weishould'toe glad ; to bargain for in the way of dreams , if certain of our old poeeessions in that : wayi are likely / to" be useful'to Mr ; GdJtBpcti >; there are .. k $$ i $ !! # ndt ; jpag fift , j ( drag » ns ' of Wahtley , damsels , brlg 4 nd » ; a bakedpotato can , and its bearer , 'of u ^ efburte erith ., cen ^ i } xy , } j ' a youngJady-sketching a praJJElapbaelite picture , and attended -byi a vivandiere ; wikl'MuiMa ^ bf OLtjtzow , and anyone else you please ; Greenwich Fair theatricals nvixed ^ u ^^ ith mediae , valisms ; anything , in short , ¦' ihis < ed ' . up 1 with .. eyerj ) bhing ; . elsp ,. » iotijtt a dreamlike way , We reiJeat , but in the whimsical waking mood of a graceful materialist , such'aB we have ever known Mr . OonsoutD to be . Of his 9 fheT / pictures we cannot make room to write' more thrill this' —they are ihtenselyi Corbouldian . ; ,. w ,. . ^ . .. ; ., x ¦ , ¦/ . ( 1 ,.. ¦ m-. u . ¦ > Finding that ^ pac 6 begins to run short , we must deny Mr . Auacsrus BooyjBKjtlie f © . wword * fOfi hearty co ' ndemnation he has tried 1 with'all his'weakness 1 » deserve 1 5 jand ' mttst leave unsolved the problem of MJcyAnsor ^ ON ' s four pictures In one- 'frahi ^ , ' . vrhich ] Jour pictures , being each the representation of ; a fpmaJe
form , he calls , py the * names pf / fqur jEng | fsh ^ Quntie 8 y , and desoribeaas ' " tlio property" of a gentleman yhq haa reoentlyi entered JParliament < " ^ e believe on the literary'interest *;' ) iVjb } at can' Mr . Ab 8 Oi ; o » mriean , ? W < i ' w | l ^ take . leave of him , . notj in hlBenigja ^ atiqal mood , ' but a > the . pairiter pf : ^ f . very , artificial but " . very pretty" pastoral , called / f / Ai Kisp . j" the . picture being one ( Ofthose innocent falsities wo like to pfefsuadeiourselves iinto believing ,. A i fed * c 0 i | ite ; d squire of the last century is kissing a girl ini a ; hay , ftqld— a' fBL < £ t \\ \ e pp , 3 aibjUty of wl » iuli we dp not dispute ; only , squlre ' f w . ' e ' re np nipro jiko danclng ^ ma « 4 crs in those days than they are ftow ,, or than village maids are like bnjlet-gfrls . ' In'taking ty ' dVji ; qf Mr . Absolon , we take ! leave of thld New ! fpr U \ b ' Ojdv '" Water-colour Society . , ,, ,, ,-. ¦ ,.,.. ¦< ¦ » < • . Tlfer 6 ; is ft wider field to explore : buttlie Old Watey- ^ 6 louf Waintbra , who nre
a w « ek later than their brethren farther , west , niuat accept tlie consequence in ' curtailment Of , bjrt ^^ ifl ^ . ' ^ e regre t this ; in the first place , because the leading jmei ) . ha , ye , e ^ VSQii )^ works iof special mark , and , in the second place , because we have a great ropugrianco , t 6 the use of general terms in speaking of any work of art , good or bttA ¦ The ; i ^ i ii nothing for jt ,, JiotoiKfcr , fcut ^^ ay that Mr . Caul ; IlAAo ' ei j ^ taJp W ^ r id . 'figH ^ q-studies glovvj , tvitlil Itihe wdmt th ^ a « d Wil&incy of southern' light , ' reflecjled frbm every variety of beautiful object in southern nature ; that Duncan's English pictures have the opposite charms incidental to ell [ niafe , charms . tllftfc bit ?( enhanced , by H y Uy ntfiotber charhr » have sometimes , bewto , tha ) t ( liicHAKD 8 OK < i * int 8 up-hjll , in Scotland , « nd -down-lilll in Italy , in liifl old , axi > -dr , pp , mawQc » ^ that Gilbert— r- But we mu » t give special and particulftr Minuaiiiriv Bimce
« wnw «« wnp nn uijuu » jurgu ni"inocenire 01 incfaruuw * " «^ T *! 1 '* :, !| ! W # , WMA-W ™ ' * H ; fitH < fa& , uX < mV * hn fl ' * u > i , ' . representative of ( ifaUlof / Buckingham . ^ alnce / l ; Thora i « matti € T lbr innch thought In thU t ^^^ & ^ M ^ Mm ^^ &o ^ A ^ -s-
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J [ -atory u | q ^ argx /^ iBjA aacBatc No . - ? 2 c ; agA / ftJiayAte ,
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Citation
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Leader (1850-1860), May 10, 1856, page 452, in the Nineteenth-Century Serials Edition (2008; 2018) ncse2.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct2140/page/20/
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